Safar/Voyage Exhibition Graphics @ Museum of Anthropology

Safar/Voyage was an exhibition of Middle Eastern contemporary art at MOA. Presented in a setting similar to a contemporary gallery, the show’s graphic design was kept clean and minimal so as not to detract from the artworks themselves. I designed

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Safar/Voyage Exhibition Graphics @ Museum of Anthropology

Safar/Voyage was an exhibition of Middle Eastern contemporary art at MOA. Presented in a setting similar to a contemporary gallery, the show’s graphic design was kept clean and minimal so as not to detract from the artworks themselves. I designed

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Koerner Gallery Retrofit @ Museum of Anthropology

  The Koerner Gallery at MOA is an extensive permanent exhibition on European ceramics. After 20+ years on display, the labels were in need of an updated design and re-installation. I was responsible for the graphic design of these labels,

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Koerner Gallery Retrofit @ Museum of Anthropology

  The Koerner Gallery at MOA is an extensive permanent exhibition on European ceramics. After 20+ years on display, the labels were in need of an updated design and re-installation. I was responsible for the graphic design of these labels,

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Exhibition Graphics @ Museum of Anthropology

Above: exhibit signage for Luminescence: the silver of Perú, including vinyl title letters, object labels, and wall signage As a designer at UBC’s Museum of Anthropology, I work with other designers, curators, educational programmers, and students to create in-house exhibits.

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Exhibition Graphics @ Museum of Anthropology

Above: exhibit signage for Luminescence: the silver of Perú, including vinyl title letters, object labels, and wall signage As a designer at UBC’s Museum of Anthropology, I work with other designers, curators, educational programmers, and students to create in-house exhibits.

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“Maison à Bordeaux” Model

This architectural model of Rem Koolhaas’ Maison à Bordeaux was an exercise in model-building, material choices and spatial comprehension.

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“Maison à Bordeaux” Model

This architectural model of Rem Koolhaas’ Maison à Bordeaux was an exercise in model-building, material choices and spatial comprehension.

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ConSequential

ConSequential is a theoretical exhibit designed to showcase the art of comics and sequential art. The model was built for a “Design for Exhibits” class, where we developed our ideas through a cycle of prototyping and critiques. Below are some

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ConSequential

ConSequential is a theoretical exhibit designed to showcase the art of comics and sequential art. The model was built for a “Design for Exhibits” class, where we developed our ideas through a cycle of prototyping and critiques. Below are some

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“Subculture” Information Model

This information model was created for an academic presentation on the theory of Dick Hebdige’s book Subculture: The Meaning of Style. It illustrates the constant cycle of subcultures that are born out of mainstream trends; they are eventually reintegrated back

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“Subculture” Information Model

This information model was created for an academic presentation on the theory of Dick Hebdige’s book Subculture: The Meaning of Style. It illustrates the constant cycle of subcultures that are born out of mainstream trends; they are eventually reintegrated back

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The Sprawl

“The Sprawl” is an interactive video installation that visualizes themes/aesthetics of cyberspace within a spatial experience. A field of twenty-four computers uses Max/MSP and Isadora to communicate with each other over Open Sound Control, allowing one computer to track the

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The Sprawl

“The Sprawl” is an interactive video installation that visualizes themes/aesthetics of cyberspace within a spatial experience. A field of twenty-four computers uses Max/MSP and Isadora to communicate with each other over Open Sound Control, allowing one computer to track the

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SFU Studio Workspaces Re-design

In 2009, two colleagues and I were contracted by Simon Fraser University to design two new studio workspaces for their Surrey campus. What had begun as a conceptual project for a class eventually garnered the attention of program administrators, and

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SFU Studio Workspaces Re-design

In 2009, two colleagues and I were contracted by Simon Fraser University to design two new studio workspaces for their Surrey campus. What had begun as a conceptual project for a class eventually garnered the attention of program administrators, and

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PHONObyte

Showcased in 2011 at Vancouver Culture Days‘ Connecting the Dots art exhibit. PHONObyte is an interactive video installation that offers commentary on digital communications, pointing out the shortcomings of these tools that are ubiquitous in today’s societies. Digital networks are

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PHONObyte

Showcased in 2011 at Vancouver Culture Days‘ Connecting the Dots art exhibit. PHONObyte is an interactive video installation that offers commentary on digital communications, pointing out the shortcomings of these tools that are ubiquitous in today’s societies. Digital networks are

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Searching for the Sublime

Showcased in 2010 at the Interaction Design Association’s Interaction10 conference in Savannah, GA, USA. Searching for the Sublime is an interactive lighting installation that is meant to evoke the feeling of the sublime. The sublime describes an experience of profound

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Searching for the Sublime

Showcased in 2010 at the Interaction Design Association’s Interaction10 conference in Savannah, GA, USA. Searching for the Sublime is an interactive lighting installation that is meant to evoke the feeling of the sublime. The sublime describes an experience of profound

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